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　　1.Rather, they were made of a top layer of woolen or glazed worsted wool fabric, consisting of smooth, compact yarn from long wool fibers, dyed dark blue, green, or brown with a bottom layer of a coarser woolen material, either natural or a shade of yellow.

　　更进一步，他们是由一个顶层是毛纺或润滑的精纺羊毛织物制造，包含润滑，紧凑的纱线来自长羊毛的纤维染成兰黑色、绿色、或褐色底层富含粗糙天然的和暗黄色的毛纺资料。

　　2.But these factors do not account for the interesting question of how there came to be such a concentration of pregnant ichthyosaurs in a particular place very close to their time of giving birth.

　　但是这些现实不能解说这个令人感兴趣的疑问，即是为何在一个特别的接近他们出世的地方如此的集中了这么多怀孕的鱼龙。

　　3.A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to soften it, the perfection of a metal frame, and steel wire of the finest quality, finally produced an instruments capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a ship, percussive brilliance.

　　十九世纪一系列继续的机械前进，包含踏板的传入、金属结构的完善和钢丝最完美的质量，最终产生了一种能包容很多腔调-从最精美的和弦到一个老练管弦的声响或从一个明澈的歌声到辉煌的敲击乐的作用-的乐器。

　　4.Accustomed though we are to speaking of the films made before 1972 as “silent”, the film has never been, in the full sense of the word, silent.

　　尽管咱们习惯于谈到1972年以前的电影是无声的，但用一句彻底理性的话来说电影从来就不是没有声响的。

　　5.For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualifications for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces.

　　多年以来电影音乐的挑选程序彻底把握在导演和音乐督导手中，一般具有这些权利的首要资历并非是本身的技艺和品味而更多的是因为具有很多的个人音乐素材库。

　　6. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mined the desired effect – success in hunt or battle, the coming rain, the revival of the Sun – as an actor might.

　　戴着面具身着盛装的大家，常常扮演各种别的人物、动物或超自然生灵，而且作为一个扮演者所能做的，即是期盼一个在打猎或战争中取胜、降雨的来临，阳光的重现的成果。