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托福阅读不同题型在解题思绪上是有很大区别的，而关于这些题型，考生不只需求熟习其出题特性，更需求控制具有针对性的高效解题办法思绪。下面小编就分离托福官方考题实例解析托福阅读难点易错题型作者目的题的解题思绪。

托福阅读否作者目的题发问方式引见

此类目的题的发问方式普通为：

Why does the author mention/include/use …?

The author …in order to … ? The author uses the example to ?

…for … purpose?

这种托福阅读标题普通问的是作者举某个例子，说某句话的目的是什么，判别好题干是第一步。普通的托福阅读文章的思绪，作者在举例子的时分的主要目的都是为了证明本人的观念，所以在做这类标题的时分，真正的解题关键在于，所问例子前方的观念，我们来看例题。

托福阅读否作者目的解题思绪实例剖析

例1：

The first generation to experience these changes did not adopt the new attitudes easily. The factory clock became the symbol of the new work rules. One mill worker who finally quit complained revealingly about "obedience to the ding-dong of the bell-just as though we are so many living machines." With the loss of personal freedom also came the loss of standing in the community. Unlike artisan workshops in which apprentices worked closely with the masters supervising them, factories sharply separated workers from management. Few workers rose through the ranks to supervisory positions, and even fewer could achieve the artisan's dream of setting up one's own business.

Even well-paid workers sensed their decline in status.

4. In paragraph 4, the author includes the quotation from a mill worker in order to

A. Support the idea that it was difficult for workers to adjust to working in factories

B. To show that workers sometimes quit because of the loud noise made by factory machinery

C. Argue that clocks did not have a useful function in factories

D. Emphasize that factories were most successful when workers revealed their complaints

标题问，作者为什么援用工人的话。工人的话“One mill worker who finally quit complained revealingly about "obedience to the ding-dong of the bell-just as though we are so many living machi nes."”在文章的第三句呈现，作为和例子一样的目的，来支持本段的观念句，即第一句，The first generation to experience these changes did not adopt the new attitudes easily.(第一代阅历这些变化的人没有随便的顺应新的观念)。所以正确选项应该为观念句的同义交换。正确答案选择A，即支持一种观念，关于工人来说很难调整在工厂工作。B选项里面的工人退出(workers sometimes quit)没有提到，C选项里面的clocks did not have a useful function( 钟表不能发挥有效作用)不对，最后D选项里面说到当工人埋怨的时分工厂最胜利，显然是不正确的。

但是不是一切的作者目的题，都只是段落的第一句话。每个段落的topic sentence位置不一样，或者说，每个例子对应的topic sentence位置不一样。我们再来看一个例子：

例2：

Sensitivity to physical laws is thus an important consideration for the maker of applied-art objects. It is often taken for granted that this is also true for the maker of fine-art objects. This assumption misses a significant difference between the two disciplines. Fine-art objects are not constrained by the laws of physics in the same way that applied-art objects are. Because their primary purpose is not functional, they are only limited in terms of the materials used to make them. Sculptures must, for example, be stable, which requires an understanding of the properties of mass, weight distribution, and stress. Paintings

must have rigid stretchers so that the canvas will be taut, and the paint must not deteriorate, crack, or discolor. These are problems that must be overcome by the artist because they tend to intrude upon his or her conception of the work. For example, in the early Italian Renaissance, bronze statues of horses with a raised foreleg usually had a cannonball under that hoof. This was done because the cannonball was needed to support the weight of the leg. In other words, the demands of the laws of physics, not the sculptor's aesthetic intentions, placed the ball there. That this device was a necessary structural compromise is clear from the fact that the cannonball quickly disappeared when sculptors learned how to strengthen the internal structure of a statue with iron braces (iron being much stronger than bronze).

6. Why does the author discuss the bronze statues of horses created by artists in the early Italian Renaissance?

A. To provide an example of a problem related to the laws of physics that a fine artist must overcome

B. To argue that fine artists are unconcerned with the laws of physics

C. To contrast the relative sophistication of modern artists in solving problems related to the laws of physics

D. To note an exceptional piece of art constructed without the aid of technology

在这道标题当中，我们需求先肯定例子的位置，即加了阴影的中央。这个标题的特征是，出题点是一个十分长的自然段，普通这种比拟长的自然段常常会有段落分层或者段中的转机，这样的话我们需求肯定例子所在的位置在哪一层或者是在转机前还是转机后。我们先来剖析一下这个段落的构造：

Sensitivity to physical laws is thus an important consideration for the maker of applied-art objects. It is often taken for granted that this is also true for the maker of fine-art objects. This assumption misses a significant difference between the two disci plines.这句话对前面的内容作了否认，即：这种假定无视了两个规律之间的重要差异。 Fine-art objects are not constrained by the laws of physics in the same way that applied-art objects are. Because their primary purpose is not functional, they are only limited in terms of the materials used to make them. Sculptures must, for example, be stable, which requires an understanding of the properties of mass, weight distribution, and stress. Paintings must have rigid stretchers so that the canvas will be taut, and the paint must not deteriorate, crack, or discolor. These are problems that must be overcome by the artist because they tend to intrude upon his or her conception of the work.这句才是例子真正对应的中心句，作者举例子是为了证明这个观念 For example, in the early　Italian Renaissance, bronze statues of horses with a raised foreleg usually had...在这个段落当中，例子所对应的topic　sentence变成了第八句，即These are problems that must be overcome by the artist because they tend to intrude upon his or her conception of the work.(这些都是艺术家必需克制的问题...)依据关键句的同义交换，我们选择第一个选项作为正确答案，即To provide　　an example of a problem related to the laws of physics that a fine artist must overcome

以上就是小编为大家带来的托福阅读作者目的题解题思绪的实例解说，希望能协助大家更好地应对这一题型，并拿到更为理想的阅读成果。

小编找到的是作者的一些见解，希望可以为考生们寻找到最好得分方式。这些资料大家可以作为参考吸收到自己的经验谈之中，适合自己的方法就是最好的方法，希望对大家有所帮助。最后，辛达代报希望广大考生们在备考过程中提升自己的语言水平，取得更好的成绩。

有需要代报考位的同学们，可以直接联系我们，辛达托福代报竭诚为您服务。(*^__^*) 嘻嘻…